Hysteria was a psychological condition that was associated with women in the early 1900s. Hysterical patients could not prove that they had hysteria, because it was a mental condition rather than a physical one. Sigmund Freud gave lectures on psychoanalysis where he explained hysteria as a mental condition that doctors did not indulge. Women were labeled with the term to disempower them in society. In the short stories,“Super-Frog Saves Tokyo” by Haruki Murakami and “The Black Cat” by Edgar Allan Poe, hysteria appears in men rather than women, and demonstrates Sigmund Freud’s concepts of displacement and condensation.
Katagiri, the main character from “Super-Frog Saves Tokyo,” appears to be hysterical due to his hallucinations and his inability to distinguish between reality and fantasy. The causes of his hallucinations of a giant frog in his living room could be linked to his past and present hardships. Katagiri faces isolation because the only family he has left does not want anything to do with him. Katagiri has always been alone, which makes him the perfect candidate for his job. Katagiri has a dangerous job where he could be killed at any moment, dealing with mobsters and loan sharks. His superiors and colleagues do not properly appreciate all the hard work and accomplishments that Katagiri has done for the bank. The story starts off with, “Katagiri found a giant frog waiting for him in his apartment. It was powerfully built, standing over six feet tall on its hind legs” (Murakami,1). Katagiri hallucinates a giant frog in his apartment, the Frog gives him the respect that Katagiri always wanted. The Frog becomes his friend, something Katagiri never had. Immediately, hysteria appears challenging the hysterical stereotype of women. The Frog wants Katagiri’s help to defeat the Worm that will eventually cause a massive earthquake killing millions of people. The day before the battle, Katagiri is found unconscious on the road and is taken to the hospital. Katagiri thought he had been shot, but the nurse told him, “‘You didn’t have any external wounds’…[but] he had seen the pistol go off, aimed at him”
(Murakami, 15). The nurse goes on to tell him that he fainted on the street, and had awful nightmares. In the nightmares, he was screaming about Frog and Worm. Katagiri was so sure that he was shot with a pistol. In reality, he was having illusions of things that never happened. His hysteria became a problem because it was interrupting his life by bringing him to the hospital.
Condensation and displacement are concepts from Freud’s dream-work. Condensation is defined as an object that has multiple meanings within a dream. Condensation is shown in the Frog because the Frog does not only represent Katagiri’s conscious mind but also the anger, isolation, and the respect that Katagiri deserved throughout the years. Katagiri first addresses the Frog as Mr. Frog and the Frog does not like that. “‘Please,’ Frog said, raising one finger again. ‘Call me ‘Frog’” ( Murakami, 3). The Frog here is giving Katagiri respect as a friend by having address him informally. The Frog wants to be his friend and have a connection with him, and symbolizes his need for respect. Katagiri’s anger is also symbolized in the Frog when the Frog expresses that he wants to get revenge on the people that Katagiri is angry at. Katagiri’s isolation is overturned with the arrival of the Frog breaking his cycle of working and sleeping with prostitutes. Katagiri’s conscious mind, his superego, is personified by the Frog’s quest to stop the Worm, representing the id. The Frog’s many symbols epitomizes Freud’s concept of condensation.
Displacement is when an individual displaces their anger onto something that is less risky and will not harm them. Katagiri is angry at himself because he allowed people to walk all over him. At his job it is up to him to fight with the mobsters and thugs to get the money back from the loan sharks. Katagiri is also angry at his family due to him raising them and getting them married off, yet they want nothing to do with him. All that hard work was for nothing because
“‘After [his] parents died’… [all] at great expense of [his] time and income, and at the expense of [his] own marriage prospects. (Murakami, 6). Katagiri put his family before his own needs, and at the end they put themselves over him.
Katagiri’s sense of self is expressed through him being bitter and feeling unappreciated. In Japanese society, the social norms revolve around the family. An individual is supposed to be loyal to their family. It is a collectivist society, where family comes first. Katagiri goes against social norms because his family is not loyal to him and he is not respected (Welch,1). The anger exists within him and is displaced into the form of the Frog. The Frog battles with the worm, which represents the loneliness and bitterness that could eventually destroy him. Although the battle was a draw, the Frog ends up sacrificing himself for the greater good and dies with worms coming out of him. Katagiri realizes that the world does not have to know about his accomplishments, the only thing that matters is how Katagiri views himself.
The narrator from “The Black Cat” grew up loving and taking care of animals. He married early, and had a variety of pets. Out of all the pets, the narrator’s favorite was Pluto, a black cat. He alone took care of Pluto without the help of anyone. The narrator started to abuse his wife, and all the animals besides Pluto. Pluto then started to distance himself and the narrator reacted violently: “I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut out on of its eyes from the socket” (Poe,7). After cutting the cat’s eye begins to heal he decides to hang the cat. “One morning, in cool blood, a slipped a noose about its neck and hung it to the limb of a tree, hung it with tears streaming from my eyes, and with the bitterest remorse at my heart” (Poe, 9). The narrator knew the cat loved him and wanted to kill the cat because he had a an inner desire to do wrong. When he first took out the cat’s eye he felt guilty, but at the same time he felt in control. He liked knowing that he had the power to end the cat’s life at any second.
Condensation is expressed through Pluto because the word Pluto also can represent the Roman God of the underworld. Black cats can also represent “witches in disguise” (Poe, 3). The black cat itself and the name Pluto symbolizes evil and death. The same day Pluto is killed, the narrator’s house burns down: “On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of fire” (Poe, 10). The fire symbolizes hell and burning, punishing the narrator for the deed he has done. Displacement is presented when the narrator is being abusive towards his surroundings (Hester, 2 ). He tries to kill a second cat, but ends up killing his wife instead in anger: “But this blow was arrested by the hand of my wife. Groaded, by the interference, into a rage more than demonical, I withdrew my arm from her grasp and buried the axe in her brain” (Poe, 23). The narrator is angry at himself for not having power. He is submissive and lacks control. When he is angry he takes his anger out on his wife or the cat. The wife stopped him from harming the cat, so he had to kill her.
His sense of self is expressed through him identifying himself as submissive. He feels powerless to control his bad behavior. As he is telling his story, he speaks highly of himself. His sense of self identifies with the good that people saw in him. He even says his real soul is good and leaves his body when he does something bad. He has always been taking care of the animals and his wife, so he feels like he has been serving other people. The narrator has multiple hysterical episodes where he committed acts of physical violence. By killing Pluto and his wife, he felt more free than he has ever been. He gets to feel powerful and in control.
The narrator from “The Black Cat’’ and Katagiri from “Super-Frog Saves Tokyo,” prove to be hysterical and challenge the stereotype of hysteria only being linked to women. The narrator’s hysteria is worse than Katagiri’s because he actually displaced his anger onto people and animals. Katagiri was fighting with his inner demons to get over isolation and loneliness. The narrator was also fighting with his inner demons, but he gave into them and committed heinous acts. Katagiri gets over his isolation because he realizes his worth and accepts that he does not have to fit in with society. The narrator is telling his story from death row, the night before he is about to die. Hysteria should not have been associated with the women because it also existed within men. In the short stories, “Super Frog Saves Tokyo” and “The Black Cat,” both of the male characters show the symptoms of being hysterical and also utilize Freud’s ideas of condensation and displacement. Although the term hysteria has lost its meaning, it is disparaging to see that it was used to disempower women. We can see now that the term has a broader influence as it does not only affect one gender. Men too, are victims of hysteria.